Gloria, based on Wesley Schultz's family member, is ravished by alcoholism. Is Christian Petzold's 'Undine' Myth or Therapeutic Dialogue? III is a cerebral and disquieting portrait of addiction. It’s a musical, artistic puzzle and short movie, all packaged into one. While built around an interesting concept, the product ultimately leaves more to be wanted. As such, the album might seem inaccessible to some, schmaltzy to others. The album opens with the eponymous "Donna", the mother to the main character, Gloria Sparks. With two platinum albums already under their belt, expectations are high for alternative folk outfit The Lumineers, who are touring in support of their latest studio album III. On their third album, cleverly titled “III,” The Lumineers continue their tradition of storytelling on a much more ambitious, personal scale. Now, The Lumineers have blown that formula of catchy inoffensiveness to pieces. Share and discuss “Third time is not the charm on The Lumineers’ ‘III’” on social media. Many stunning songs from their self-titled first album, which projected them into the center of the indie music scene in 2012 with the hit single “Ho Hey,” are stories at their core. Isolating a song like this from the rest of the album makes one realize just how disappointing many of the tracks are alone. It’s simple, yet complex, lyrics are very touching and clever, music is top notch, you cannot skip a song. The underpinnings of addiction are impossible to identify. Genre: Folk Pop. Three generations of the same family grapple with addiction and inherited trauma in this cinematic rendering of the latest album from American folk-rock band The Lumineers. Whereas the lyrics don't fully capture Gloria's psychology, the video depicts the character suffering from a similar mental illness as her mother's. There are bands that can really pull off a powerfully bitter breakup song — The Lumineers, however, are definitely not one of those bands. The Lumineers broke up the story telling by splitting III into three parts, the final of which will be released on Sept. 13, along with the album as a whole for the first time. At first, "Gloria" sounds misplaced, but in actuality, the song aptly depicts the psychological contours associated with addiction. Buy The Lumineers's album titled III. This theme continued with their second album in 2016, which was partly inspired by an eccentric taxi driver, the titular “Cleopatra,” whose life story had a profound effect on the band’s lead singer Wesley Schultz. Unlike the band’s iconic folk-infused ballad “Ho Hey,” it is unlikely any single song from “III” will be stuck in your head for the next few years. Released 13 September 2019 on Dualtone. Indeed, they mostly earn some semblance of that title. The concept album tells the story of a family dealing with alcoholism in three distinct acts, each featuring around three songs. The jingly chords and catchy lyrics are unlike the rest of the album's bleak and minor-chord driven music. The Lumineers, “III” (Dualtone Music Group) Films, movies, television, books: They all tell stories that allow audiences to see glimpses of themselves. Junior's narrative reestablishes addiction's cyclicality with references to being in eighth grade and "you spiked the Gatorade / And it was all for, for the weekend" as heard in "Left for Denver". Here the band is explicit, almost heavy-handed, in establishing the album's interconnections. The mania exhibited by Gloria and Donna reappears in Jimmy's pressured speech. AllMusic Review by Stephen Thomas Erlewine [+] III is a prosaic title for a release as ambitious as the Lumineers ' third effort. © 1999-2020 PopMatters.com. Although it is heavy with both emotion and story, it is far from a flawless album. On their third album, cleverly titled “III,” The Lumineers continue their tradition of storytelling on a much more ambitious, personal scale. This multigenerational tale of woe follows a family that is, at its core, extremely dysfunctional. PopMatters have been informed by our current technology provider that we have to move off their service. Discover releases, reviews, credits, songs, and more about The Lumineers - III at Discogs. Jimmy is an abuser, chronic gambler, alcohol, and pill addict. As such, the Lumineers deliver the album with compassion and clemency. That said, most of the songs maintain a decidedly hollow-eyed sound, one that requires the listener to lean in and patiently wait for the songs to reach a crescendo. If this were released in the 70’s, it would have topped the charts for weeks. I highly recommend both the album and short film III to anyone who likes The Lumineers, but especially to people who don’t really like or know much about them or their music, because this album is arguably their best yet, and this film truly enhances the experience of listening to the album. Both women are defined by periods of mania followed by inactivity, all extenuated by heavy drinking and dangerous behavior. Songwriters Wesley Schultz and Jeremiah Fraites tell the story in three chapters following three generations of one family all within the folksy and poetic tone that makes them The Lumineers. When Gloria is succumbing to her addiction, infant Jimmy is often depicted crawling through the house alone or sitting next to his mother's incapacitated body. As such, the Lumineers offer a thoughtful and compassionate portrait of addiction's cycle. Junior is positioned as a character that demands empathy when he laments "Fate has dealt me a lonely blow" in "Leader of the Landslide". While “III,” with its intricate lyrical storytelling, tells a tragic story about how cyclical alcoholism travels through generations, the songs themselves are underwhelming and near indistinguishable from The Lumineers’ previous work. Danny Clinch /Courtesy of the artist The Lumineers have taken their latest album, III, as an opportunity to shine a light on a topic that's close to many of the members' lives — addiction. There is no emotional reprieve in III. But "Gloria" presents a facade; the buoyancy is akin to an addict's attempt at hiding their addiction with fabricated happiness. Photo: Danny Clinch / Courtesy of the artist, The Beatles 'Let It Be': So Good They Ruined It for Everyone - PopMatters ›, The Lumineers - North American Tour 2020 ›, The Lumineers (@thelumineers) | Twitter ›, The Lumineers (@thelumineers) • Instagram photos and videos ›, Elvis Costello Gets Dark and Brooding on 'Hey Clockface', Popular Culture Is Eating Its History and OMD Are Not Complaining, Shanghai Restoration Project Offer Innovative Alternate Reality on 'Brave New World Symphony', Maxwell Stern Gives Us a Warm Car in Frigid Winter with 'Impossible Sum', Susan Alcorn's 'Pedernal' Is a Chamber Jazz/Americana Blend, MetalMatters: The Best Metal Albums of December 2020. III is a cinematic album undertaking a complicated subject. The image of a deserted child is frequently re-emphasized in the music video. III, an Album by The Lumineers. ... Use up arrow (for mozilla firefox browser alt+up arrow) and down arrow (for mozilla firefox browser alt+down arrow) to review and enter to select. T he Lumineers’ third full-length studio album, aptly titled III, is as much of a cinematic masterpiece as it is a masterpiece of an album. Album Review: The Lumineers – “III” Ryan Feyre September 19, 2019 For their latest album, The Lumineers follow the old adage of “three times’ a charm.” The project’s title is III … While also not connecting with the overarching narrative and theme, it carries a strange sentiment for what sounds like a lighthearted acoustic number. Directed by Kevin Phillips. The first chapter of the album’s story deals with Gloria Sparks, the alcoholic matriarch of the Sparks family. Gone are the days of the Lumineers' pop-standards and monosyllabic earworms. The video, which screened as a whole at the Toronto International Film Festival, is fearless and authentic. While it seems that the band’s artistic progression may have stalled, their new album may be worth checking out — even if only to appreciate a new concept album in an age where they are few and far between. The Lumineers have always had a knack for narrative songwriting. The complexity associated with addiction and those suffering from the disease is so vast, lesser musicians would shy away from undertaking the subject. Rated #1249 in the best albums of 2019. The Lumineers III — the band obviously likes their album titles short and to the point — maintains the group’s fondness for providing hushed melodies that quietly build, billow and then conclude with majesty and grace. Just over a year ago on September 13, 2019, The Lumineers released “III” after teasing it on social media and releasing the single “Gloria” in April. III is a cerebral and disquieting portrait of addiction. The album is accompanied by a short film, scenes from which also double as music videos. 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